![]() A heavy dose of EQ provided the final touch: McDonald generously boosted the area around 1kHz, an area most mixers would cut due to its harsh, nasal sound. Gibbons' vocals were then processed heavily with a Teletronix LA-2A compressor, which brought every articulation and breath to the fore, creating that right-in-your-ear sound. "I've always liked the sound of old vocals. "That was something I was deliberately seeking," adds McDonald. The 414 contains the same capsule as the classic AKG C12 used on greats like Frank Sinatra and Billie Holiday, giving it an unmistakably vintage sound. "It was all we could really afford in State of Art," McDonald confessed. In this article, we'll highlight some of the secret ingredients that made Dummy a classic.Īccording to engineer Dave McDonald, the AKG C414 was the microphone of choice for Beth Gibbons' vocals-partly because of its signature sound and partly out of necessity. ![]() So how did Portishead craft the signature sound of Dummy? Turns out it was a mixture of creative sampling, adventurous recording techniques, and some sick vintage gear. The opening bars of "Mysterons" give you a taste of the album's sonic palette: minimalist, tremolo-laden guitar parts, expert turntablism, crackly sampled rhythms, booming 808 bass, entrancing synthesizers, and of course, Gibbons' unparalleled vocals. ![]() And it all began 25 years ago, when the trio of DJ and sampling guru Geoff Barrow, guitarist Adrian Utley, and vocalist Beth Gibbons released their debut album, Dummy, bringing their uniquely dark, melodic take on hip-hop to the masses.Īside from the undeniably excellent songwriting and tasteful musicianship on display, Dummy is primarily an album of texture-something that is fully apparent within the first minute of the record. Tracks are available in different versions depending on the track Normal (for guitar, saxophone, trumpet, trombone and other solo instruments), For Bass (bass part removed), For Drums (drum part removed) and For Piano (piano/keyboard part removed).Although Portishead weren't the first group to explore the sonic territory that would become known as trip-hop (that honor goes to their peers in Massive Attack), the Bristol, UK-based group is now practically synonymous with the genre. My jam tracks can be used to practise your improvisation / soloing skills, scales, chord comping and rhythm on instruments such as guitar, piano, saxophone, trumpet, trombone, flute, harmonica, violin, bass and other lead or chordal instruments or to work on your rhythm section accompaniment and improving your time feel on instruments such as keyboard, electric and upright bass, drums and percussion. I hope you enjoy my play along backing tracks that I produce in many different styles / genres - jazz fusion, smooth jazz, acid jazz, latin jazz, neo soul, groove, funk and more. Currency conversion and any applicable sales tax will automatically be calculated by payment processor FastSpring® during checkout.
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